Once upon a time is how the scene begins (don’t they all?) and this is how it unfolds: first we see a sprawling lake, a supine giant, the water of which falls from emerald green to thick, murky browns. This lake has existed here, presumably for a thousand years or more. An old tire, fading, threadbare—a slight impression left in its center where countless children have hunched―hangs from the branch of one the hearty pine trees which populate the acreage that surrounds the lake―a vast, unbroken woodland stretching for miles, the majority of which will be burnt to the ground by arson in the near future.
Feces covers the floor of these woods, the copious dejecta part of an intricate topography of what animals have left behind―the shedding of skin and fur the least objectionable of the lot. The excrement is the by-product of various denizens of the lake region: black bears, chipmunks, skunks, snakes (do snakes actually shit? it occurs to me that I’ve never witnessed a snake having a bowel movement) ferrets, wolves, feral cats, and, of course, birds, the deposits of which are perhaps the vilest; smart bombs dropped from the sky.
Hideous, filthy birds! cry the other animals.
If it were not for the ability to fly, the birds would be up shit-creek-without-a-paddle―this is, of course, in regards to Bird Vs. Bear, another such scene I have concocted previously: the bird’s wings broken, held together with the aid of tiny splints, must use only their wits, and possibly a well-timed stab of the beak, in a final showdown against the boiling rage of the bear, having been shit upon―literally and figuratively―by just such a bird one too many times. The ending of this scene is too horrible to recount here, although, it should be said, if black bears had a human counterpart it would be that of Charles Manson.
Meanwhile, back at the previous scene: The stench that surrounds this lake is so foul that not a soul dare breach its soiled shores. The lake, once picturesque in its beauty, now wallows in its own filth. But what could possibly illicit such a deluge of droppings? Too much bran in the diet of the animals? A predilection for jokes scatological in nature? Or had they simply scared themselves shitless?
I have left the evacuation of animal bowels in this scene because it seems as much a part of the lore of these woods as the two people I have previously placed within it: a man and a woman, their lusts and desires anything but errant, their wills obscenely willful and free, roaming the land around the lake as if they owned the joint, naked as they day they were born, (“this isn’t a nudist colony”, I informed them again and again) frequently, unabashedly partaking in the rib. They were over-sexed, as horny as wayward adolescents, their constant copulations embarrassing, so I have since removed them from the scene. They will have to fend for themselves without aid of my pleasant and evocative descriptions forging the world around them.
But I digress.
Of particular note to this scene: the lake is similar in some respects to a lake I once frequented with my girlfriend of several years. We would smile brightly, sunning ourselves on the shore, making plans for the future as I inscribed arcane drawings into her newly sun-screened back; an index finger indexing our entire history together. We stayed in a cabin near the shore, one that was built by some pioneering spirit of the recent past. We had gone on like this for months, the insular beauty of the lake keeping us from the troubles of the outside world.
That was until three days ago when I found myself crouching in the dense underbrush beside the lake, covered in mud and leaves―partly for camouflage, partly for the obscene drama that it evoked―watching my girlfriend: she in the lake swimming nude with another man, the pruned-pair eventually conjoined; their bodies at work below the placid surface. Nude I tell you! Just like those two heathens in the previous scene.
Nonetheless, I am making plans for her in my head.
A few moments later we are talking:
She: Stop following me.
Me: I wasn’t following you. I just happen to be at the lake this weekend.
She: Covered in mud? Spying on us?
Me: I was bird watching.
She: You threw our clothes in the water!
Me: You looked cold, like you could use a pair of pants.
She: I have a restraining order!
Me: You don’t mean that.
She: I don’t love you!
Me: You don’t mean that.
She: Brian, get your pants on!
Me: You don’t mean that―
And then the fist of Brian―pants now on―hits me squarely on the nose, the crunching of bone loud inside my skull.
My girlfriend’s face is pinched, unforgiving.
The latter section is meaningless digression. I am creating a new scene concerning the lake in a darkened motel room off of I-7, scribbling on a notepad I found in the top drawer of the nightstand. I watch a compact TV bolted unceremoniously to the wall, the breaking newscast composed of quickly scrolling fonts and graphics and music built of menacing chords―
FIRE AT LAKE PONCHOTOCK
―the well-groomed anchor needlessly buoyant given the subject matter. A carefully edited montage of video footage follows—firefighters in action poses, blasts of water striking the towering flames with little to no impression. A wider shot, from a higher vantage point, reveals fires on all sides of the lake, the mad reflection of the flames gyrating obscenely upon the surface of the otherwise undisturbed water…
(I have been careful to leave all of this out of my previous scene—it has no substantive relevance, particularly the part where I initiate several small brush fires in the vicinity of the lake with the aid of an engraved lighter that my girlfriend gave me two birthdays past)
…wait, wait. Again I am drifting―at hand, the new scene: I am a bird―that is, I am myself dressed in a giant bird costume, taking wing across the lake, my girlfriend and Brian sunning themselves on shore as she and I had done so many times previously. I swoop down from the pale, dreadful sky and snatch her up with my yawing plastic claws, voiding my bowels upon Brian as I ascend. She lays limp in my grip, a fainted heroine in a b-movie, Brian on the ground below marshalling a look of hurt and surprise. Poor put-upon, shat-upon, Brian, shackled by gravity, effluvium rising in contrast.
The lake hums with vivid colors.
We soar above everything, altitudinous in our coupling.
I with my love―our convergence complete.
Happily ever after.