There is a Los Angeles of the cinema. And of novels. This is the L.A. of dreams and nightmares, a place that exists on the periphery, a time and place that has been willed into being over that last 100 years, the modern L.A. stretching out across the desert like a monolith. This slippery version of the [...]
Archive for the ‘Alfred Hitchcock’ Category
Last Exit to Hollywoodland: The Photography of Alex Prager
Posted in Alex Prager, Alfred Hitchcock, Art Direction, B-Movies, Cindy Sherman, Crime/Suspense, Fashion, Film Noir, Films, Photographs, tagged Alex Prager, hollywood on March 1, 2012 | Leave a Comment »
Birth of the Cool: Grace Kelly
Posted in 1950s, 1960s, Alfred Hitchcock, Birth of the Cool, Fashion, Grace Kelly, Photographs, tagged Grace Kelly on February 27, 2012 | Leave a Comment »
For the Birds
Posted in 1960s, Alfred Hitchcock, Films, Photographs, Tippi Hedren, tagged Alfred Hitchcock, film, Tippi Hedren on July 28, 2011 | 2 Comments »
Man with a Movie Camera: 50 Years of Michael Powell’s Peeping Tom
Posted in Alfred Hitchcock, Crime/Suspense, Film Essays, Films, Michael Powell on July 24, 2010 | Leave a Comment »
Michael Powell’s Peeping Tom (1960) is a nasty gem of a film. Obsessive, provocative, disturbing, deeply sad—Peeping Tom is all of these things and more. This year marks the 50 year anniversary of the release of Alfred Hitchcock’s Psycho (1960), but it also marks 50 years of Powell’s Peeping Tom, another film about a homicidal maniac, that was released just three months [...]
Psychoanalysis:50 Years of Alfred Hitchcock’s Psycho
Posted in Alfred Hitchcock, Films, tagged films on June 25, 2010 | Leave a Comment »
The Bates Motel Sign; the house on the hill; a swirling shower drain; Norman Bate’s tortured visage; Bernard Herrmann’s score. All of these images and sounds have become iconic, woven into the popular lexicon, so unmistakable, even without context. If by sheer dumb luck you have never seen Alfred Hitchcock’s Psycho (1960), you are likely to be [...]
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