Archive for March, 2011
Birth of the Cool: Marcello Mastroianni
Posted in 1960s, Birth of the Cool, Fashion, Films, Marcello Mastroianni on March 30, 2011 | Leave a Comment »
Through a Lens Darkly: The Cinematic Worlds of Mario Bava
Posted in 1960s, Art Direction, Crime/Suspense, Danger:Diabolik, Films, Horror Movies, Mario Bava, tagged crime/suspense, films, horror movies, Mario Bava on March 29, 2011 | Leave a Comment »
“Movies are a magician’s forge, they allow you to build a story with your hands… at least, that’s what it means to me. What attracts me in movies is to be presented with a problem and be able to solve it. Nothing else; just to create an illusion, and effect, with almost nothing” —Mario Bava [...]
The Marlowe in My Mind
Posted in Crime/Suspense, Dick Powell, Film Essays, Film Noir, Writing on March 17, 2011 | Leave a Comment »
Dick Powell is a glutton for punishment. More specifically, Powell’s Philip Marlowe is a glutton for punishment. In the 1944 film adaptation of Raymond Chandler’s Farwell, My Lovely, renamed Murder, My Sweet, Dick Powell played the part of the famous private detective as if it might be the last acting gig he ever got. He is [...]
Welcome to My Nightmare: The Strange Allure of Goblin
Posted in EuroTrash, Films, Goblin (band), Horror Movies, Music on March 17, 2011 | Leave a Comment »
Purveyors of the sinister. Raconteurs of the strange. Crawling, twisting music that threatens to make its way into my nightmares, lying in wait for me each time I return. The Italian prog-rock band, Goblin made a name for themselves scoring many Italian movies, but it was Dario Argento’s Suspiria (1977) and George Romero’s international version [...]
Blood, Booze, Mamet, Morricone: The Untouchables
Posted in Brian DePalma, Crime/Suspense, David Mamet, Ennio Morricone, Film Essays, Films, Writing on March 16, 2011 | Leave a Comment »
The Untouchables (1987) Director: Brian De Palma Barrels of Technicolor blood. Limitless rounds of ammunition. The melodramatic and the absurd. Innocence and clear-eyed reality. All these things run together in the universe that is Brian De Palma’s version of the late 50s TV show, The Untouchables. The violence is graphic, sometimes cartoonishly so, as [...]
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